David, peintre révolutionnaire : le regard allemand (notice n° 301056)
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| fixed length control field | 02357cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250117222321.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lafont, Anne |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | David, peintre révolutionnaire : le regard allemand |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2005.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 78 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Le regard que les auteurs allemands portent sur David se distingue du regard français : si l'importance du « révolutionnaire » occupe aussi les Français, il est perçu outre-Rhin comme une manifestation éminement française, résultant de la philosophie des Lumières et correspondant à un trait psychologique national. C'est ainsi que David, peintre de la Révolution, va devenir une figure emblématique, à partir de laquelle se développe et se construit en Allemagne un certain discours sur l'art français dont la permanence s'observe jusque dans les premières décennies du XXe siècle. David devient ainsi le représentant, non seulement de la France, mais des idées des Lumières, de la Révolution et de l'art moderne contre lesquelles se profile une certaine idée de l'art et de l'identité allemands. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | David as a Revolutionary Painter : through the German Eye . The German view of Jacques-Louis David's art is perceptibly different from the French perception: if the « revolutionary » aspect interests also in France, it is perceived in Germany as a typical emanation of French Enlightment Philosophy and a characteristic aspect of national psychology. David, as the Painter of the Revolution, becomes therefore an emblematical figure of French art and philosophy, on which, to a large extent, is found and constructed the German discourse on French art, which lasts until the first decades of the 20th century. David becomes thus the representative, not only of France, but also of the ideas of Enlightment and the Revolution and of modern art against which a certain idea of German art and identity has progressively been elaborated. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | David |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mythe |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transferts culturels. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Allemagne |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Romantisme |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Annales historiques de la Révolution française | 340 | 2 | 2005-06-01 | p. 3-3 | 0003-4436 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-annales-historiques-de-la-revolution-francaise-2005-2-page-3?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-annales-historiques-de-la-revolution-francaise-2005-2-page-3?lang=fr&redirect-ssocas=7080</a> |
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