Les musiciens, médiateurs d’échanges culturels entre Mozambique et Afrique du Sud (notice n° 302076)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02562cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250117222933.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nativel, Didier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Les musiciens, médiateurs d’échanges culturels entre Mozambique et Afrique du Sud |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 26 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | À partir de la fin du xixe siècle, une relation musicale durable s’établit entre la colonie portugaise du Mozambique et la région de Johannesburg. Des migrants mozambicains employés comme mineurs dans le Rand deviennent les médiateurs d’échanges culturels entre les deux territoires. C’est dans ce contexte qu’émerge, dans les années 1950 et 1960, Fanny M’Pfumo, figure légendaire de la musique urbaine mozambicaine. Après l’indépendance de l’ancienne colonie portugaise en 1975, les relations entre les deux territoires se dégradent. Le nouveau régime révolutionnaire, installé à Maputo, entend forger une culture nationale autonome du pays de l’apartheid. En réalité, des migrations plus limitées, mais continues, démarrent à partir de 1975-1980. Cette fois, des musiciens semi-professionnels, voire professionnels, tentent leur chance non seulement à Johannesburg mais aussi au Cap. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Beginning in the late nineteenth century, a lasting musical relationship grew between the Portuguese colony of Mozambique and the Johannesburg region of South Africa. Mozambican migrants, working in Rand District mines, became intermediaries in cultural exchanges between the countries. Within this context, Fanny M’Pfumo, a legendary figure of urban Mozambican music, emerged in the 1950s. After Mozambique gained independence in 1975, relations soured between the two countries. The new revolutionary regime in Maputo intended to forge a national culture separate from South Africa’s Apartheid state. Nonetheless, a more limited but constant migration recommenced in 1975-1980, with professional and semi-professional musicians testing their luck in Johannesburg and Cape Town. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | migrations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | marrabenta |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Mozambique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | médiations culturelles |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Afrique du Sud |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | circulations musicales |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | marrabenta |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musical flows |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | migration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cultural mediation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Afrique contemporaine | 254 | 2 | 2016-04-20 | p. 57-72 | 0002-0478 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-afrique-contemporaine1-2015-2-page-57?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-afrique-contemporaine1-2015-2-page-57?lang=fr&redirect-ssocas=7080</a> |
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