L'état de victime : quelques corps dans la scène théâtrale contemporaine (notice n° 313011)
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|---|---|
| fixed length control field | 01365cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250117232800.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Neveux, Olivier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'état de victime : quelques corps dans la scène théâtrale contemporaine |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2007.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 82 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The State of Victimhood. Some Bodies on the Stage of Contemporary Theatre. The 2005 Avignon Theatre Festival sparked a vast controversy about the insistent presence of bodies (whether wounded, broken, or humiliated) on stage. Without subscribing to the reactionary critical response to the Festival, it is legitimate to return to the debate in order to question the ubiquity of the “victim body” in contemporary theatre. Such representations, far from being heterodox, are in fact part of the massive ideology of “the ethical”, as diagnosed by Alain Badiou. The oppressed body thus tends to be assimilated to the body of the victim. The result is the obliteration of the resistance of subjects to their oppression, or of their active response to it, theatre being reduced to the maxims of a democratic materialism: “there are only bodies and languages”. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Actuel Marx | 41 | 1 | 2007-03-01 | p. 99-108 | 0994-4524 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-actuel-marx-2007-1-page-99?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-actuel-marx-2007-1-page-99?lang=fr&redirect-ssocas=7080</a> |
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