Mémoire collective, rituels et performances dans la Grèce moderne : les danses traditionnelles du sacrifice (notice n° 326364)
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| fixed length control field | 03685cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250118004103.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Théologou, Kostas |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Mémoire collective, rituels et performances dans la Grèce moderne : les danses traditionnelles du sacrifice |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 1 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Le romancier français Honoré de Balzac (1799-1850) tire la puissance de ses descriptions de sa confiance qu’un esprit d’environnement social entier peut être révélé par un seul détail matériel, même s’il est minimal ou arbitraire. Lorsqu’au siècle suivant, la communication commença à nous concerner à un niveau plutôt scientifique, le spécialiste canadien de la communication Marshall McLuhan (1911-1980) écrivit que les médias eux-mêmes remplaçaient progressivement le monde ante, le monde du passé1. Même si nous voulions restaurer ce monde ancien, cela ne serait possible que par une étude approfondie de la manière dont les médias l’ont dévoré. On peut utiliser la photographie comme véhicule de communication « agressif ». Dans les études sociales, on peut utiliser de nombreuses photographies provenant d’anciennes cartes postales et albums publiés2. Mais qu’est-ce que la photographie, la cinématographie ou la vidéo sinon un moyen de représentation et de performance ? Et qu’est-ce que la danse, les rituels et cérémonies folkloriques représentant et exécutant des événements et des moments du passé ? Dans cet article, nous examinons la relation entre la mémoire, la nation, l’identité, les rituels et la performance comme moyen de maintenir l’ identité nationale à travers la réalisation des danses folkloriques emblématiques afin de se souvenir des moments réels et des sites de sacrifice dans l’histoire grecque moderne. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | French novelist Honoré de Balzac (1799-1850) drew the power of his descriptions from his confidence that a whole social environment spirit can be revealed by a sole material detail, even if it is minimal or arbitrary. When at the following century communication began to concern us on a rather scientific level, the Canadian communication specialist Marshal McLuhan (1911-1980) wrote that media itself gradually substituted the world ante, the world of the past. Even if we desired to restore this earlier world this would be possible only through a strenuous study of how media have devoured it. One can use photography as an ‘aggressive’ communication vehicle. In social studies (i.e. of civil countries) one can utilise many photographs which originate from old carte postal and published albums3. But, what is photography, cinematography or video if not a means of representation and performance ? And what is dancing, folk rituals and ceremonies representing and performing events and moments of the past ? In this paper we examine the relation between memory, nation, identity, rituals and performance as means of sustaining national identity through performing emblematic folk dances to remember the actual moments and sites of sacrifice in modern Greek history. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mémoire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sacrifice |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | danse folklorique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | folk-dance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | memory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sacrifice |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études Balkaniques | 25 | 1 | 2021-10-25 | p. 43-69 | 1260-2116 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-etudes-balkaniques-cahiers-pierre-belon-2021-1-page-43?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-etudes-balkaniques-cahiers-pierre-belon-2021-1-page-43?lang=fr&redirect-ssocas=7080</a> |
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