Construire « par le bas » un patrimoine graphique ethnique en situation transnationale (Mexique-USA) (notice n° 328189)

détails MARC
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fixed length control field 03299cam a2200421 4500500
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control field 20250118005130.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
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Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Hémond, Aline
Relator term author
245 00 - TITLE STATEMENT
Title Construire « par le bas » un patrimoine graphique ethnique en situation transnationale (Mexique-USA)
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2017.<br/>
500 ## - GENERAL NOTE
General note 85
520 ## - SUMMARY, ETC.
Summary, etc. Le présent article s’attache aux processus de constitution des patrimoines graphiques ethniques, en partant de l’exemple des créations picturales sur papier d’écorce appelées «  amates » réalisées par les peintres nahuaphones du sud-ouest du Mexique. Après mes travaux doctoraux réalisés sur ce sujet il y a 20 ans dans une perspective émique, je m’intéresse aujourd’hui à la rencontre entre des acteurs réseau (artistes indigènes) et des amateurs, collectionneurs, anthropologues et institutions transnationales qui ont permis la reconnaissance et la patrimonialisation de ces peintures. On se centrera ici notamment sur « l’extériorité légitimante » du Musée national d’art mexicain de Chicago. Cette institution muséale a permis de requalifier dans son propre espace d’action le statut des peintures et de leurs créateurs, créant ainsi un espace de traduction propre à la participation de la communauté hispanique à Chicago et à la réception dans les espaces sociaux caractéristiques du multiculturalisme aux États-Unis.
520 ## - SUMMARY, ETC.
Summary, etc. Bottom-up construction of a Mexican native graphic heritage in a transnational situation (Mexico-USA)This article focuses on how an ethnic graphic heritage is established. It is based on a study of paintings made on bark paper (amates) by Nahuatl speakers in South-west Mexico. In my Ph. D. dissertation two decades ago, I adopted an emic perspective. I now take a transnational actor-network approach to examine the interactions between native artists and art lovers, collectors, anthropologists and others. All these social categories contribute to the public recognition of these artworks as part of a cultural legacy. I pay particular attention to the role of the National Museum of Mexican Art in Chicago as an external expert conferring legitimacy on this process. This museum made it possible to reclassify in its own space of action the status of paintings and painters. It thus created a specific space for translation, allowing the participation of the Hispanic community in Chicago and reception in the social spaces characteristic of the United States’ multiculturalism.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element États-Unis
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element patrimoine minoritaire interculturel
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element diaspora
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Nahua
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Chicago
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element amate
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Guerrero
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Mexique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element image
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element musée de communauté
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element intercultural minority heritage
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element diaspora
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element patrimonialisation
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Nahua
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Chicago
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element amate
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Guerrero
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element United States
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Mexico
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element community’s museum
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element image
786 0# - DATA SOURCE ENTRY
Note Autrepart | 78-79 | 2 | 2017-09-01 | p. 201-218 | 1278-3986
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-autrepart-2016-2-page-201?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-autrepart-2016-2-page-201?lang=fr&redirect-ssocas=7080</a>

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