Les premières éditions du Malade imaginaire de Molière, ou l’ombre de Ribou (notice n° 335050)

détails MARC
000 -LEADER
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250118013213.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Riffaud, Alain
Relator term author
245 00 - TITLE STATEMENT
Title Les premières éditions du Malade imaginaire de Molière, ou l’ombre de Ribou
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2015.<br/>
500 ## - GENERAL NOTE
General note 14
520 ## - SUMMARY, ETC.
Summary, etc. At the death of Molière on 17 February 1673, the text of his last comedy, Le Malade imaginaire, was left in a provisional state. The Palais-Royal comedians, who would give some more performances in March 1673, were soon faced with such difficulties that they could not perform the play again in its definitive version before May 1674. As soon as 1673, taking advantage of the situation, some comedians from the country got hold of the non-definitive text to perform the play in the provinces, while Dutch and French booksellers published pre-original editions with an incomplete and faulty text. Then, in 1674, two editions appeared successively, under the same false address of Jean Sambix in Cologne, which gave at last the complete and reworked text as it had been performed in May of the same year. The archaeological study of those two editions of Le Malade imaginaire shows that they were printed in Paris by Claude Audinet and Claude Blageart, two workshops working regularly for Jean Ribou, once Molière’s sole publisher. At that time Ribou was unable to practice his trade because of his difficulties and the sentences passed on him. Although associated by contract with Claude Barbin and Denis Thierry, two booksellers with whom he had equally shared all the rights to Molière’s comedies, it is likely that Jean Ribou did not hesitate to betray his colleagues to secretly give the definitive text of Le Malade imaginaire. His past as a daring bookseller, used to unlawful doings, can explain the discovery of the two 1674 Sambix editions, which must be seen as the original editions of Molière’s last comedy.
786 0# - DATA SOURCE ENTRY
Note Bulletin du bibliophile | - | 2 | 2015-01-02 | p. 311-334 | 0399-9742
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-bulletin-du-bibliophile-2015-2-page-311?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-bulletin-du-bibliophile-2015-2-page-311?lang=fr&redirect-ssocas=7080</a>

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