Remington (notice n° 33639)

détails MARC
000 -LEADER
fixed length control field 01983cam a2200277zu 4500
003 - CONTROL NUMBER IDENTIFIER
control field FRCYB88835893
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250107142137.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250107s2012 fr | o|||||0|0|||eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781844846375
035 ## - SYSTEM CONTROL NUMBER
System control number FRCYB88835893
040 ## - CATALOGING SOURCE
Original cataloging agency FR-PaCSA
Language of cataloging en
Transcribing agency
Description conventions rda
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Remington, Frederic
245 01 - TITLE STATEMENT
Title Remington
Statement of responsibility, etc. ['Remington, Frederic ']
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Parkstone International
Date of production, publication, distribution, manufacture, or copyright notice 2012
300 ## - PHYSICAL DESCRIPTION
Extent p.
336 ## - CONTENT TYPE
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type code c
Source rdamdedia
338 ## - CARRIER TYPE
Carrier type code c
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. It is impossible to reflect upon Frederic Remington’s art without thinking of the merely human elements. Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains. The Indian appealed to him not in any histrionic way, not as a figure stepped out from the pages of Hiawatha, but just as a human subject. Remington hit upon this truth when he travelled west. What he found there was majesty that he did not make, solely, an affair of Indians in war paint and feathers.Remington knew how the light of the moon or of the stars is diffused, how softly and magically it envelops the landscape. There is a sort of artistic honesty in his nocturnal studies. He never set out to be romantic or melodramatic, just to develop his affinity and closeness to nature. The beauty of the painter’s motive, too, has communicated itself in his technique. His grey-green tones fading into velvety depths take on transparency, and in his handling of form he uses a touch as firm as need be. The determining influence in his career was that of the creative impulse, urging him to deal in the translation of visible things into pictorial terms.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Remington, Frederic
856 40 - ELECTRONIC LOCATION AND ACCESS
Access method Cyberlibris
Uniform Resource Identifier <a href="https://international.scholarvox.com/netsen/book/88835893">https://international.scholarvox.com/netsen/book/88835893</a>
Electronic format type text/html
Host name

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