Un regard qui trompe l'ennui « Fenêtre sur cour » d'Alfred Hitchcock (notice n° 355441)
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|---|---|
| fixed length control field | 02289cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250118043306.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Agnel, Aimé |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Un regard qui trompe l'ennui « Fenêtre sur cour » d'Alfred Hitchcock |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2004.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 95 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Immobilisé sur une chaise roulante après un accident, le photographe L.B. Jefferies, dit Jeff, s’ennuie (James Stewart dans Fenêtre sur cour d’Alfred Hitchcock). Par sa fenêtre qui donne sur la cour, il regarde vivre ses voisins et découvre qu’un homme a tué sa femme et a fait disparaître le corps. Le film est analysé comme métaphore de l’intégration de l’ombre personnelle d’abord projetée sur autrui. En se rapprochant de sa propre ombre, le sujet s’introvertit ; il peut se relier à l’anima et la reconnaître comme son meilleur guide. Dans le film, par cette confiance en l’anima et l’acceptation de son autonomie, Jeff accède à la dépendance amoureuse dont il se défendait par crainte qu’elle soit une limite à sa liberté. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Immobilized in a wheelchair following an accident, photographer L.B. « Jeff » Jefferies (James Stewart in Rear Window by Alfred Hitchcock), is bored. He begins watching his neighbours through the rear window of his apartment, and discovers that one of them has murdered his wife and gotten rid of the body. The film is analyzed as a metaphor for the integration of the personal shadow initially projected onto the other. As the subject approaches his own shadow, he becomes introverted ; he can form a bond with the anima, recognizing her as his best guide. In the film, the hero’s confidence in his anima and the acceptance of her independence enables him to attain the amorous dependence he had hitherto guarded against, fearing that it would curtail his liberty. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Anima |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Rêverie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Introversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ennui |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ombre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hitchcock |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Idéal |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intuition |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers jungiens de psychanalyse | 111 | 3 | 2004-09-01 | p. 87-97 | 0984-8207 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2004-3-page-87?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2004-3-page-87?lang=fr&redirect-ssocas=7080</a> |
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