Accords et dissonances : Chant choral et médiation thérapeutique (notice n° 355744)

détails MARC
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control field 20250118043655.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Ferveur, Christophe
Relator term author
245 00 - TITLE STATEMENT
Title Accords et dissonances : Chant choral et médiation thérapeutique
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2016.<br/>
500 ## - GENERAL NOTE
General note 46
520 ## - SUMMARY, ETC.
Summary, etc. Des gazouillis de l’enfance à la mue, la voix, transitive par essence, figure les mouvements du corps, fondamentalement arrimée au registre pulsionnel. Véritables paradigmes des métamorphoses de la puberté, les transformations de la voix à l’adolescence font entendre, souvent bruyamment, le travail de deuil des objets infantiles. Dans le cadre de la médiation thérapeutique avec les adolescents, l’expérience du chant en ensemble vocal permet de définir des frontières relationnelles intra et intersubjectives inédites de soi à soi autant que de soi aux autres, au sein desquelles le jeune peut expérimenter une part des conflits qui le traversent. À partir d’une pratique de chant choral avec des adolescents hospitalisés en psychiatrie, c’est autant le chanteur lyrique professionnel que le psychanalyste qui partage ici son expérience en médiation thérapeutique.
520 ## - SUMMARY, ETC.
Summary, etc. Harmony and Dissonance: Choral Singing and Therapeutic MediationFrom a babbling baby to the vocal changes brought on by puberty, the voice, by essence transitive, reflects the body’s movements and is fundamentally tied to the instinctual realm. As a paradigm of the metamorphosis during puberty, the voice’s transformations during adolescence make clear, and quite audibly so, the mourning of the infantile objects. In the practice of therapeutic mediation with adolescents, be it concerning the relationship with oneself or with others, the experience of singing as a vocal group allows the individual to define the limits of intra and intersubjective relationships. These relationships give the teenager the possibility to experiment a part of the conflicts which exist within him. From practical experiences of choral singing with teenage psychiatric patients, the author who is a professional lyrical singer as well as a psychoanalyst, shares his experience in therapeutic mediation.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element voix
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element adolescence
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element chant choral
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element médiation thérapeutique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element voice
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element therapeutic mediation
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element adolescence
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element choral singing
786 0# - DATA SOURCE ENTRY
Note Cliniques | 11 | 1 | 2016-02-17 | p. 46-58 | 2115-8177
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-cliniques-2016-1-page-46?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cliniques-2016-1-page-46?lang=fr&redirect-ssocas=7080</a>

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