“Singing in Tongues” as Esotericism and Postmodern Christianity. A Study of Contemporary Nigerian Gospel Music (notice n° 385665)
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| fixed length control field | 03040cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250119025633.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Endong, Floribert Patrick C. |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Singing in Tongues” as Esotericism and Postmodern Christianity. A Study of Contemporary Nigerian Gospel Music |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 46 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Au fil des années, plusieurs mouvements artistiques, culturels et philosophiques ont émergé dans l’industrie de la musique gospel nigériane. Parmi ceux-ci, la « glossolalie chantée » est particulièrement plébiscitée par la nouvelle génération de chanteurs de hip-hop pentecôtistes, dont beaucoup semblent vouloir redéfinir les frontières du gospel nigérian. Malgré sa visibilité dans l’espace musical nigérian, la « glossolalie chantée » (telle que pratiquée par les artistes nigérians) n’a que peu attiré l’attention des chercheurs et théoriciens. Cet essai cherche à combler cette lacune manifeste en explorant la question de la glossolalie chantée à la lumière de deux théories philosophiques et religieuses, à savoir l’ésotérisme et le postmodernisme. Quelle est la place de la glossolalie chantée dans l’évolution de l’industrie du gospel nigérian ? Dans quel sens chanter en langue serait-il ésotérique ? Et en quoi ce mouvement musical est-il un reflet subtil du christianisme postmoderne au Nigéria ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The Nigerian gospel music industry has over the years witnessed the emergence of many artistic, cultural and philosophical movements. One of these movements is the “singing-in-tongues” paradigm, particularly endorsed by the new generation of Pentecostal hip-hop musicians, many of whom seem bent on redefining the boundaries of Nigerian gospel music. Although remarkable, the singing-in-tongues paradigm (as deployed by Nigerian artistes) has remained understudied or virtually non-theorized by scholars. This paper seeks to fill this apparent gap in knowledge by exploring the singing-in-tongues concept in the light of two philosophical/religious currents, namely esotericism and postmodernism. What has been the place of the singing-in-tongues paradigm in the evolution of the Nigerian gospel music industry? How is singing in tongues esoteric? And how is it a subtle reflection of postmodern Christianity in Nigeria? |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pentecôtisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique gospel nigériane |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | postmodernisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ésotérisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | glossolalie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | chanter en langue |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | esotericism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | glossolalia |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nigerian gospel music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | singing in tongues |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Pentecostalism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | postmodernism |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Ndobo, Eugenie Grace Essoh |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers d'études africaines | 249 | 1 | 2023-03-21 | p. 157-179 | 0008-0055 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-d-etudes-africaines-2023-1-page-157?lang=en&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-d-etudes-africaines-2023-1-page-157?lang=en&redirect-ssocas=7080</a> |
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