Trois histoires d’œuvres d’art contemporaines à propos d’objets manquants. Créer, entreprendre au Nigéria à partir de la question des restitutions* (notice n° 386330)
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| fixed length control field | 02932cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250119025848.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Spiesse, Emmanuelle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Trois histoires d’œuvres d’art contemporaines à propos d’objets manquants. Créer, entreprendre au Nigéria à partir de la question des restitutions* |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 90 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | 1897. La population de la ville de Benin City est massacrée, plus de 4 000 objets sont pillés et acheminés en Europe. Début du XXIe siècle. Bien avant les déclarations d’Emmanuel Macron sur les restitutions en 2017, Peju Layiwola, artiste et professeure d’art (Université de Lagos), Lancelot Imasuen, réalisateur pionnier de Nollywood, et Jelili Atiku, artiste performeur lagosien, s’emparent artistiquement, publiquement et politiquement de cette problématique, dans leur pays comme à l’international. Cet article propose d’entrer au cœur des contextes de la création contemporaine nigériane à travers trois biographies et trois œuvres opérant toutes trois à différents jeux d’échelles. Essentiellement construit à partir d’entretiens avec trois artistes et de l’analyse de leur œuvre, cet article veut, d’une part, éclairer les enjeux ayant poussé à un tel engagement et, d’autre part, comprendre les réceptions de création contemporaine. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | 1897. The population of Benin City was massacred and over 4,000 objects looted and shipped to Europe. Beginning of the 21st century. Long before President Macron’s statements on restitutions in 2017, Peju Layiwola, artist and art professor (University of Lagos), Lancelot Imasuen, pioneering Nollywood director, and Jelili Atiku, Lagos-based performance artist, took up this issue artistically, publicly and politically, both in their own countries and internationally. This article explores the contexts of contemporary Nigerian creation through three biographies and three works, all operating at different scale. Essentially based on interviews with three artists and an analysis of their work, this paper aims to shed light on the issues that led to such a commitment and to understand the reception of contemporary creation. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Benin City |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | restitution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nollywood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art visuel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | décolonisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nigéria |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | artiste contemporain |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | contemporary artist |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Benin City |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | restitution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | visual art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | decolonization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nollywood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nigeria |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers d'études africaines | 251-252 | 3 | 2023-11-27 | p. 747-780 | 0008-0055 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-d-etudes-africaines-2023-3-page-747?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-d-etudes-africaines-2023-3-page-747?lang=fr&redirect-ssocas=7080</a> |
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