Les Livres rouges, le feu, la nuit (notice n° 392536)
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| fixed length control field | 02926cam a2200373 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250119042625.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Marcheschi, Jean-Paul |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Les Livres rouges, le feu, la nuit |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 64 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Jean-Paul Marcheschi, peintre, sculpteur, confie quotidiennement depuis 1981 ses notes, ses rêves, ses dessins, ses peintures dans des livres, les Livres rouges qu’il définit comme une « chronobiologie totale de l’existence ». Il nous en dit l’origine et leur histoire jusqu’à nos jours. Ce qui l’amène à évoquer son rapport au temps (celui du quotidien, celui des maîtres anciens, celui des temps les plus reculés), ainsi que son rapport à l’obscur et à la nuit. Mais si la décision du passage vers les Livres rouges allait dérouter sa vie de peintre, une autre rencontre, quelques années plus tard, celle avec le feu, reste décisive, puisque le feu tient lieu de pinceau et de réserve de substances, de thèmes et d’images depuis lors. De son pinceau de feu, il tire des tableaux, illustre ses Livres rouges, peint, mais aussi organise de vastes installations où tous les éléments sont convoqués, du ciel jusqu’à cette eau noire qui baigne désormais dans un grand nombre de ses expositions. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Since 1981, Jean-Paul Marcheschi, a painter and sculptor, has been keeping a daily journal of notes, dreams, drawings, and paintings. He defines these Red Books as “a total chronobiology of existence.” Describing how they originated and their history to this day, he comments upon his relationship to time (that of daily life, that of the old masters, that of the most ancient epochs), as well as his relationship to darkness and night. The decision to channel his work through the Red Books threw him off course as a painter. However, another encounter a few years later, with fire, was decisive. Fire has served as his brush and as a storehouse of substances, themes, and images since. With his fire brush, Marcheschi makes paintings, illustrates Red Books, paints, and also organizes huge installations in which all the elements are summoned, from the sky down to the black water in which a great number of his exhibits are bathed. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Peinture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nuit |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Écriture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Feu |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Livre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Obscur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Livres rouges |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Livres rouges |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Obscur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Temps |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Feu |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Livre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Peinture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Écriture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sommeil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nuit |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Guilbault, Dominique |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers jungiens de psychanalyse | 136 | 2 | 2012-11-01 | p. 153-170 | 0984-8207 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-153?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-153?lang=fr&redirect-ssocas=7080</a> |
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