Victor Hugo, la créativité libérée (notice n° 392570)
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|---|---|
| fixed length control field | 02413cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250119042656.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Barbet-Massin, Arnaud |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Victor Hugo, la créativité libérée |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les dessins de Victor Hugo sont une source inépuisable pour qui veut approcher sa créativité et comprendre son cheminement. « Il fut peintre avant d’être écrivain », affirmait Théophile Gautier, le premier à relever que la sensibilité de Victor Hugo était d’abord visuelle. Feuilleter certains de ses dessins les plus connus permet de comprendre comment sa plume puise dans cette sensibilité pour d’incessants va-et-vient entre le verbe et l’image. Le moment clef survient en 1856 avec les Dessins Fantasques qui révèlent la crise identitaire de Victor Hugo. En s’appuyant sur les travaux de Marion Milner, l’auteur tente de comprendre la recherche identitaire de Hugo et d’éclairer ainsi le jaillissement créatif, sans négliger la fusion, à plus d’un titre exceptionnelle, entre l’écrit et le dessin que recèle Les Travailleurs de la Mer . |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Victor Hugo’s drawings are an inexhaustible source of insight into his creativity and approach. “He was a painter before he was a writer,” asserted Théophile Gautier, the first to remark that Victor Hugo’s sensitivity was above all visual. Looking at some of his most well known drawings gives an insight into the process whereby his writing drew upon this sensitivity for endless exchanges between word and image. The key moment occurred in 1856 when the Dessins Fantasques revealed Victor Hugo’s identity crisis. Elaborating on Marion Milner’s research work, the author attempts to understand Hugo’s search for his identity, thereby shedding light on the creative spark, not to mention the exceptional fusion between writing and drawing in Les Travailleurs de la Mer . |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Identité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Exil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Monstruosi |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Folie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Inconscient |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Libération |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Création |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Combat |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers jungiens de psychanalyse | 136 | 2 | 2012-11-01 | p. 137-150 | 0984-8207 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-137?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-137?lang=fr&redirect-ssocas=7080</a> |
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