L’industrie des auteurs : éléments d’une théorie critique de la propriété musicale (notice n° 394204)
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|---|---|
| fixed length control field | 03653cam a2200349 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250119050129.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Langlais, Pierre-Carl |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L’industrie des auteurs : éléments d’une théorie critique de la propriété musicale |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 21 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La propriété intellectuelle joue un rôle dans le processus de légitimation et dans les intérêts économiques des industries culturelles musicales. Depuis plus de deux siècles, la protection juridique a contribué à renforcer l’autonomie de la création musicale en hypostasiant l’individualité des compositeurs dans la formule légale du « droit d’auteur ». En revenant, avec Adorno, sur les conditions socio-économiques et historiques de la construction symbolique du « droit d’auteur », le but de cet article est de mettre au jour la part construite du droit, en vue d’intérêts proprement industriels, et de se demander si sa transformation progressive face aux mutations contemporaines, par l’industrie elle-même, peut encore préserver ce pour quoi les artistes eux-mêmes y trouvaient leur intérêt : la reconnaissance sociale du musicien comme auteur et de sa création comme œuvre. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Intellectual property makes a significant contribution to the legitimation process and the commercial interests of musical cultural industries. For more than two hundred years, legal protection has served to establish the autonomy of musical creation and reinforce the individuality of composers within the legal formula of “author rights”. By revisiting, through Adorno, the socio-economical and historical conditions of the symbolic constructs of author rights, this articles aims to uncover the complex, industrial, fabric of musical intellectual property and to question its current transformations: can this legal frame still preserve the very thing that have drawn the interests of creators, the social recognition of the musician as an author and of its creation as an artistic work? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La propiedad intelectual desempeña un papel importante en el proceso de legitimación de las industrias culturales musicales y en sus intereses económicos. Desde hace más de dos siglos, la protección jurídica ha contribuido a reforzar la autonomía de la creación musical al consagrar la individualidad de los compositores bajo la fórmula legal del “derecho de autor”. Repasando con Adorno las condiciones socio-económicas e históricas de la construcción simbólica de los “derechos de autor”, este artículo examina el carácter confeccionado y sesgado del derecho a la luz de intereses propiamente industriales. Surge entonces la cuestión de su transformación progresiva ante las mutaciones contemporáneas, bajo el impulso de la industria misma, y de la preservación de lo que los artistas hallaban en él: el reconocimiento social del músico como autor y de su creación como obra. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | YouTube |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | droit d’auteur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | propriété intellectuelle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | théorie critique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | industrie culturelle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | creative commons |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intellectual Property |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Cultural Industry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Critical Theory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Youtube |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Author Rights |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Creative Commons |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | 184 | 2 | 2015-06-01 | p. 79-99 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages1-2015-2-page-79?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-communication-et-langages1-2015-2-page-79?lang=fr&redirect-ssocas=7080</a> |
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