Meet Me on the Barricades (notice n° 39928)

détails MARC
000 -LEADER
fixed length control field 02782cam a2200301zu 4500
003 - CONTROL NUMBER IDENTIFIER
control field FRCYB88867830
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250107154210.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250107s2016 fr | o|||||0|0|||eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780776623696
035 ## - SYSTEM CONTROL NUMBER
System control number FRCYB88867830
040 ## - CATALOGING SOURCE
Original cataloging agency FR-PaCSA
Language of cataloging en
Transcribing agency
Description conventions rda
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Harrison, Charles Yale
245 01 - TITLE STATEMENT
Title Meet Me on the Barricades
Statement of responsibility, etc. ['Harrison, Charles Yale', 'Vautour, Bart', 'Robins Sharpe, Emily']
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Presses de l'Université d'Ottawa
Date of production, publication, distribution, manufacture, or copyright notice 2016
300 ## - PHYSICAL DESCRIPTION
Extent p.
336 ## - CONTENT TYPE
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type code c
Source rdamdedia
338 ## - CARRIER TYPE
Carrier type code c
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. Meet Me on the Barricades is Harrison’s most experimental work. The novel includes a series of fantasy sequences that culminate in a scene heavily indebted to the Nighttown episode in James Joyce’s Ulysses (the novel was published a year before James Thurber’s better-known short story, “The Secret Life of Walter Mitty”). The novel is also Harrison’s only foray into satire—an especially unexpected turn given that the Spanish Civil War literary canon, and particularly works of literature written in the midst of the war, tend towards earnestness rather than irony. Harrison’s novel is thus a unique book, significant for its self-consciousness as a modernist novel and as a political document. Out of print since its single publication run in 1938, this critical edition recovers Harrison’s important commentary on the heated “culture wars” of the 1930s and the Spanish Civil War. With an original critical introduction and extensive textual and editorial notes, this edition draws on original archival research to situate the novel within the modernist and leftist North American canons. Meet Me on the Barricades is a densely allusive text that layers global politics, revolutionary theory, classical music, literary theory, world history, and anti-Stalinism, as well as emergent biological discourses about sex. It recounts a few days in the life of P. Herbert Simpson, a middle-aged, weak-hearted oboist with the New York Symphony Orchestra and leftist fellow traveller. Simpson is subject to wild hallucinations that are sometimes daydreams, sometimes drunken delirium, and on occasion intricate dreams while asleep. He imagines escaping his unrewarding marriage with a prudish, domineering wife through a passionate fantasy of a Russian girlfriend, and escaping his day job in the symphony to fight on the front lines of the Spanish Civil War.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Harrison, Charles Yale
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Vautour, Bart
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Robins Sharpe, Emily
856 40 - ELECTRONIC LOCATION AND ACCESS
Access method Cyberlibris
Uniform Resource Identifier <a href="https://international.scholarvox.com/netsen/book/88867830">https://international.scholarvox.com/netsen/book/88867830</a>
Electronic format type text/html
Host name

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