An Example of Emancipation through Art: Brecht’s Galileo (notice n° 406846)

détails MARC
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250119092602.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Macherey, Pierre
Relator term author
245 00 - TITLE STATEMENT
Title An Example of Emancipation through Art: Brecht’s Galileo
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2009.<br/>
500 ## - GENERAL NOTE
General note 92
520 ## - SUMMARY, ETC.
Summary, etc. The challenge which Brecht set himself was to make theater a means of emancipation by placing it in the service of the revolution. His work dealing with the exemplary figure of Galileo, which mobilized his energies between 1938 and his death in 1959, testifies to the succession of problems he came up against in his attempt to carry out this program. For Brecht, the attempt to arrive at a scenic presentation of the complex relations between science and its social environment implied the endeavor to engage the audience in the formulation of a problem for which the theatrical performance eschewed the option of any ready-made solution. To do so could only be way of the representation of a model which was both attractive and repulsive, and by highlighting what was a fluctuating complex of contradictions. For Brecht, the status of art is thus to constitute an open-ended inquiry rather than the presentation, for propaganda purposes, of a set of cut-and-dried ideas.
786 0# - DATA SOURCE ENTRY
Note Actuel Marx | o 45 | 1 | 2009-04-09 | p. 66-79 | 0994-4524
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-actuel-marx-2009-1-page-66?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-actuel-marx-2009-1-page-66?lang=en&redirect-ssocas=7080</a>

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