The Actors in the Transformation of the Film and Audiovisual Industry in Côte d'Ivoire Since 1961 (notice n° 411297)

détails MARC
000 -LEADER
fixed length control field 01968cam a2200301 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250119103917.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Camara, Yahaglin David
Relator term author
245 00 - TITLE STATEMENT
Title The Actors in the Transformation of the Film and Audiovisual Industry in Côte d'Ivoire Since 1961
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2023.<br/>
500 ## - GENERAL NOTE
General note 12
520 ## - SUMMARY, ETC.
Summary, etc. ‪This article studies the economic mutations in the cinema and audiovisual sector in Côte d’Ivoire, with a particular focus on producers, broadcasters, distributors, directors, actors, technicians, institutional and political actors at the source of these changes. It points out that the economic environment of the sector is characterized by two very distinct financial models embodied by two generations (old and new) of filmmakers. From one generation to the next, the way film budgets are set up changes. Massively dependent on the windfall of international cooperation in its early days, the sector increasingly resorted to local capital since 2000 while assuming the transition to digital. Less elitist and more popular, contemporary Ivorian cinema primarily targets national audiences. Local in terms of its financing, it is also in terms of its target audience. Production is dominated by TV series broadcast by an increasing number of channels. The new dynamic and attractive environment arouses the dream of a local film industry called “Babiwood.”‪
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element cinema
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element funding
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element industry
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Cote d’Ivoire
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element audiovisual sector
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element director
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element cinema
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element funding
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element industry
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Cote d’Ivoire
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element audiovisual sector
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element director
786 0# - DATA SOURCE ENTRY
Note Cahiers d’études africaines | o 250 | 2 | 2023-06-22 | p. 239-267 | 0008-0055
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-cahiers-d-etudes-africaines-2023-2-page-239?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-cahiers-d-etudes-africaines-2023-2-page-239?lang=en&redirect-ssocas=7080</a>

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