From artifice to realism: The development of stage “chinoiseries” in the first half of the 18th century (notice n° 417722)
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fixed length control field | 00934cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250119121325.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Tang, Guo |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | From artifice to realism: The development of stage “chinoiseries” in the first half of the 18th century |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2017.<br/> |
500 ## - GENERAL NOTE | |
General note | 76 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Regnard’s comic play Les Chinois (1692) started a vogue for Chinese themes on the French stage in the first half of the 18th century, be it in comedy, tragedy or musical works. Chinoiserie tended to become more realistic. This essay traces the rise of Chinese exoticism in French theatre, shows how multifarious its influence was and demonstrates what forms the growing realism took. |
786 0# - DATA SOURCE ENTRY | |
Note | Dix-huitième siècle | o 49 | 1 | 2017-05-30 | p. 645-659 | 0070-6760 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-dix-huitieme-siecle-2017-1-page-645?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-huitieme-siecle-2017-1-page-645?lang=en&redirect-ssocas=7080</a> |
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