Étienne Fay (1768-1845) (notice n° 418116)
[ vue normale ]
000 -LEADER | |
---|---|
fixed length control field | 01656cam a2200289 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250119121820.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Quéval, Marie-Hélène |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Étienne Fay (1768-1845) |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2021.<br/> |
500 ## - GENERAL NOTE | |
General note | 20 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | How much did the Revolution change musical traditions? In the context of dechristianization, the closure of chapter houses and choir schools which were the only places to provide poor children with some quality musical training, constrained many church musicians to switch to secular stages (such as opera, comic-opera) as did Étienne Fay (1768-1845), a singer-cum-composer born in Tours, who after a respectable career at the Louvois, Favart and Feydeau theatres, ended up coaching his own company with his wife and children in order to put on productions in France, Belgium and Germany. Despite having collaborated with committed writers such as the radical Jacobin Dubuisson, Fay stayed clear of the conflict, remaining loyal to the reforms of Napoleon. His career path and his work, in Gluck’s footsteps, deserve to be lifted from out of the shadows. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Opéra-comique |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | theatre |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | French Revolution |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Étienne Fay |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | music |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Opéra-comique |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | theatre |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | French Revolution |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Étienne Fay |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | music |
700 10 - ADDED ENTRY--PERSONAL NAME | |
Personal name | Noûs, Camille |
Relator term | author |
786 0# - DATA SOURCE ENTRY | |
Note | Dix-huitième siècle | o 53 | 1 | 2021-06-28 | p. 561-578 | 0070-6760 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-dix-huitieme-siecle-2021-1-page-561?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-huitieme-siecle-2021-1-page-561?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux