L'espace sonore analytique et ses arabesques (notice n° 424935)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01766cam a2200241 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120214951.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Beldent, Véronique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'espace sonore analytique et ses arabesques |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 56 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | En 1956, Jung proposait d’intégrer la musique au travail analytique, celle-ci touchant à un matériel archétypique profond. À la condition d’une oreille désencombrée des représentations, un travail analytique à partir de la substance sonore que sont les mouvements vocaux de l’analyste et de l’analysant en séance, peut se dérouler. Conduisant à une forme de régression particulière à l’espace sonore, elle permet qu’une capacité rythmique vivante s’organise à partir de ce qui n’était qu’un chaos sonore. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In 1956, Jung suggested music be integrated into analytic work, because it touches on deep archetypal contents. If one’s ear is unencumbered by representations, analytical work can depart from the sound substance constituted by the vocal movements of the analyst and analysand during a session. Leading to a particular form of regression of the sound environment, this material makes it possible to structure a living rhythmic capacity on the basis of what used to be sound chaos. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Écho |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Archétype de la temporalité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Régression sonore |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Capacité rythmique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Empreintes |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers jungiens de psychanalyse | 136 | 2 | 2012-11-01 | p. 73-86 | 0984-8207 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-73?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2012-2-page-73?lang=fr&redirect-ssocas=7080</a> |
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