L'écriture est un voir. Construction du psychique (notice n° 425663)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03119cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120220154.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Masson, Céline |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'écriture est un voir. Construction du psychique |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2005.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 53 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Résumé À partir de la proposition de Binswanger que « l’écriture est en fait un voir », nous proposons d’interroger cette forme du voir. Que signifie que l’écriture est un voir ? D’autre part, comment ce mode de perception qu’est la vue contribue-t-il à la construction d’un appareil psychique. Nous examinerons dans cet article les premiers systèmes de signes, les modes premiers de représentation du réel souvent d’abord « dessiné » en figures reproduisant ce qui est vu puis évoluant vers des simplifications et des conventions qui sont des intégrations de ces modes premiers. Dans le dessin comme dans l’écriture proprement dite, il s’agit de tracer des traits, un geste éminemment important qui inscrit le sujet dans la culture et dans la cité. Nous interrogerons ensuite, à partir de cette notion de trace, les traces mnésiques et les modalités de construction de la mémoire pour continuer notre route vers l’inconscient comme écriture imagée. Les images produites par le sujet (rêves, fantasmes, rêveries, fictions, créations visuelles) sont véritablement une voie d’accès dans le « présent réminiscent » (Fédida) à un passé immédiat. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Working from Binswanger’s proposition that « writing is in fact a way of seeing », we suggest that we question this form of seeing. What does it mean to say that writing is a way of seeing ? Furthermore, how does the form of perception of seeing contribute to the construction of a psychic working ? In this article, we shall examine the first systems of signs, the first methods of representation of reality often first « drawn » as figures reproducing what is seen then changing towards simplifications and conventions that are integrations of these first methods. In the drawing, as in writing as such, this means tracing lines, an eminently significant gesture that inscibes the subject in culture and in the city. Using the idea of traces, we then go on to question mnestic traces and the methods for construction of memory to continue our route towards the unconscious as imaged writing. The images generated by the subject (dreams, phantasms, reveries, fictions and visual creations) are truly a means of access in the « reminiscent present » (Fédida) to an immediate past. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | écriture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mémoire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trace |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | voir |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | inconscient |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | image |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | writing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | memory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trace |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | unconsciousness |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | image |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | seeing |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cliniques méditerranéennes | 72 | 2 | 2005-09-01 | p. 281-298 | 0762-7491 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cliniques-mediterraneennes-2005-2-page-281?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cliniques-mediterraneennes-2005-2-page-281?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux