Le disquaire et ses usagers (notice n° 426040)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02470cam a2200277 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120220951.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Debruyne, François |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le disquaire et ses usagers |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 70 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les nouveaux formats de l’intermédiation de la musique jouent un rôle important dans les transformations contemporaines de l’expérience musicale. Il s’agit ici d’analyser les modèles relationnels que ces formats contribuent à construire, à partir d’une description de l’évolution des formes ordinaires du commerce musical et à l’aune des formes standard du régime numérique actuel. Les changements repérés concernent en particulier le genre de reconnaissance qui prévaut dans l’écheveau des relations toujours plurielles à la musique. Leur examen critique s’avère pour autant toujours nécessaire. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The new forms of music delivery have plaid an important part in the current change affecting musical experiences. The analysis of the changing transaction models implied by these formats helps to draw a description of the ordinary aspects of the music industry and its digital standards. One such change is about the kind of recognition that is prevailing within the mesh of music’s intricate relationships. Their critical analysis is as necessary as ever. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenLos nuevos formatos de la intermediación de la música juegan un papel importante en las transformaciones contemporáneas de la experiencia musical. Con base en una descripción de la evolución de las formas ordinarias del comercio musical y a la luz de las formas estandardizadas del régimen digital actual, el autor analiza los modelos relacionales que dichos formatos contribuyen a construir. Los cambios identificados conciernen en particular el tipo de reconocimiento que prevale dentro de la madeja de relaciones plurales a la música, cuyo examen crítico es hoy por hoy indispensable. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Expérience musicale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | reconnaissance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | écoutes partagées |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intermédiation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intermediation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musical Experience |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Recognition |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Shared Listening |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | 173 | 3 | 2012-10-29 | p. 49-65 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages1-2012-3-page-49?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-communication-et-langages1-2012-3-page-49?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux