Le cinéma d’Art et Essai : un label de la qualité institutionnelle mis à l’épreuve de l’expertise ordinaire (notice n° 426064)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120221001.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bourgatte, Michaël |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le cinéma d’Art et Essai : un label de la qualité institutionnelle mis à l’épreuve de l’expertise ordinaire |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 86 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans les années 1950, un mouvement de soutien aux formes cinématographiques les plus marginales s’organise et donne naissance à l’expression « cinéma d’Art et Essai », qui fera très vite et indistinctement référence à un certain type de salles et à un certain type de films. Le mouvement est rapidement aidé par les pouvoirs publics. Pour autant, quel crédit peut-on accorder à ce soutien effectivement adossé à certains critères (il porte sur des films de niche, dotés d’un projet artistique ou issus de pays faibles producteurs de cinéma), mais aussi largement arbitraire ? En mêlant une réflexion historique à des résultats d’enquêtes de publics, l’article interroge les mécanismes de mesure de la qualité cinématographique et pose la question du crédit qu’il importe de donner à cette valeur institutionnelle. En effet, la valeur n’est-elle pas plutôt à rechercher dans les succès de fréquentation en salles et dans l’autorité de certains films emblématiques ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the 1950s a movement to support the most marginal forms of movie has coalesced and created the term “Art et essai” which quickly and indistinctively refered to a particular type of movies and a particular type of movie theatres. This movement was soon supported by the government. What credit can be granted to this support based on particular criteria (niche movies of an artistic nature and purpose or originating from countries with little movie industry) and also widely arbitrary? Through a mix of historical reflexion and findings from audience surveys the author questions the assessment of cinematographic quality and what is the worth of this institutional value. Would the value not lie instead with blockbusters and acclaimed movies? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenEn los años 50, se organiza un movimiento de apoyo a las películas más marginales, en el que se forja la expresión “cine de autor”, el cual se refiere enseguida e indistintamente a cierto tipo de salas de cine y cierto tipo de películas. Dicho movimiento encuentra entonces el apoyo del gobierno. Sin embargo, ¿qué mérito tiene este apoyo basado sobre ciertos criterios (películas marginales, con un proyecto artístico o producidas por países que no tienen un desarrollo cinematográfico importante) que pueden a su vez parecer arbitrarios? Tras un análisis histórico combinado con los resultados de varias encuestas de públicos, examinaremos como se puede medir la calidad de una película y discutiremos el valor de tal marca institucional. ¿Acaso su valor tiene que ver con el número de espectadores y el éxito de ciertas películas emblemáticas? |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | qualité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | expertise |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | valeur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectateur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Art et Essai |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | communauté |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | public |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | movie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | quality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | “Art et essai” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | audience |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectator |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | expertise |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | community |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | value |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | 174 | 4 | 2012-12-31 | p. 109-122 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages1-2012-4-page-109?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-communication-et-langages1-2012-4-page-109?lang=fr&redirect-ssocas=7080</a> |
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