De l’improvisation maternelle (notice n° 426372)
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| fixed length control field | 03580cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120221351.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Vivès, Jean-Michel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De l’improvisation maternelle |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 46 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’auteur de l’article s’attache à mettre en évidence la place et le rôle de l’improvisation maternelle dans la relation mère/bébé ainsi que dans l’émergence du sujet.Il propose de distinguer trois temps qui seraient associés à l’improvisation maternelle :– le premier serait dominé par la supposition. La mère suppose chez le bébé des capacités, des intentions bien avant que celles-ci ne soient présentes chez lui. Même si elles ne sont pas encore présentes, d’être supposées ces capacités et intentions sont potentialisées. Il s’agit là, pourrait-on dire, d’un pur acte de croyance qui ne nécessite pas de s’exprimer en vocalisations ou en mots ;– un autre temps s’exprimerait lui par un partenariat essentiel avec le bébé : plus qu’une dyade, mère et bébé constituent un véritable duo. Bébé et mère sont des partenaires à parts égales et coconstruisent une œuvre aux dimensions musicales indéniables où rythme et mélodie jouent un rôle essentiel. Ce temps est le temps de l’œuvre commune ;– enfin, un dernier temps verrait la mère s’adresser au bébé en privilégiant le langage par rapport à la vocalisation. Ce qu’elle fait préférentiellement sur le mode du questionnement où une place à venir est indiquée à l’enfant. Celui-ci ne peut encore parler mais l’environnement maternel fait l’hypothèse que cette place qu’il dessine sera un jour occupée d’où jaillira un « je ». |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The author’s article attempts to emphasize the place and role of the maternal improvisation in the mother-baby relationship and in the subject’s emergence as well. He proposes to distinguish three stages which would be associated to the maternal improvisation.– The first stage is dominated by the supposition. The mother speculates abilities and intentions in her baby, long before they come out. Even if they are not present yet, the simple fact to speculate these abilities and intentions enhances them. It consists on a pure belief act which is not necessary expressed in vocalizations or words.– Another stage would be characterised by an essential partnership with the baby : more than a dyad, the mother and the baby form an absolute duo. Both are equal and they co-construct an artwork with an undeniable musical dimension in which rhythm and melody play an important role. This stage is the one of the communal artwork.– Finally, the last stage refers to the mother talking to her baby by favoring the language rather than the vocalization. She does all that into a questioning way in which a place is indicated to the child. He cannot speak yet, but the mother’s environment hypothesizes that his place which he draws, one day will be occupied and an « I » will arise. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | langage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | voix |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | duo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sujet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | supposition |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | voice |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | duo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | language |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subject |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | supposition |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cliniques méditerranéennes | 93 | 1 | 2016-04-21 | p. 29-42 | 0762-7491 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cliniques-mediterraneennes-2016-1-page-29?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cliniques-mediterraneennes-2016-1-page-29?lang=fr&redirect-ssocas=7080</a> |
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