De la possible invention d’un espace d’intimité chez le sujet psychotique : l’exemple de la musique (notice n° 426549)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03087cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120221636.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Jacob Alby, Virginie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De la possible invention d’un espace d’intimité chez le sujet psychotique : l’exemple de la musique |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 51 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Les auteurs de cet article s’attachent à cerner la notion d’intimité à partir de son absence constitutive chez le sujet psychotique. Le patient halluciné est envahi par la voix de l’Autre sans pouvoir s’en défendre. N’ayant pu constituer un point sourd intrapsychique, il lui est impossible d’accéder à cet espace psychique intime où l’Autre pourrait être tenu à distance. À partir de l’analyse de dispositifs mettant en jeu la musique, ils s’attachent à élucider en quoi la musique, prise dans une relation transférentielle, peut être précieuse pour offrir un abri, et permettre une certaine intimité là où elle est absente. La musique est alors comprise comme un « piège à voix » permettant d’offrir au sujet un espace où, d’« entendeur » de voix, il pourrait faire l’expérience d’être entendu par la musique. C’est dans ce retournement que s’« inventerait » une certaine intimité, sorte d’abri, permettant au sujet d’expérimenter un autre type de rapport à l’Autre. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | On the possible invention of a space for intimacy in the psychotic individual ; the example of musicThe authors of this article set out to define the notion of intimacy on the basis of its constituent absence in psychotic individuals. The patient suffering from hallucinations is invaded by the voice of the Other without being able to defend himself. Having been unable to form an intrapsychic deaf point, he finds it impossible to acces the intimate psychical space where the Other could be kept at a distance. From an analysis of settings bringing music into play, they set out to clarify in what way music, used in a transferential relationship, can be valuable in offering shelter and in providing a degree of intimacy when the latter is absent. Music then is understood as a “voice trap” ( piège à voix ) which makes it possible to offer the individual a space in which, from being a “hearer” of voices, he can have the experience of being heard by the music. It is in this reversal that a certain intimacy may be “fabricated”, a sort of shelter, allowing the individual to experience another type of relation with the Other. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | voix |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | psychose |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hallucination |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intimité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intimacy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | voices |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intimacy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hallucination |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | psychosis |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Vivès, Jean-Michel |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Connexions | 105 | 1 | 2016-04-29 | p. 123-132 | 0337-3126 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-connexions-2016-1-page-123?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-connexions-2016-1-page-123?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux