Why No Confederate Statues in Mexico (notice n° 42699)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02559cam a2200277zu 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FRCYB88878349 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250107161415.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250107s2019 fr | o|||||0|0|||eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781771861854 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | FRCYB88878349 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | FR-PaCSA |
| Language of cataloging | en |
| Transcribing agency | |
| Description conventions | rda |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Reed, Ishmael |
| 245 01 - TITLE STATEMENT | |
| Title | Why No Confederate Statues in Mexico |
| Statement of responsibility, etc. | ['Reed, Ishmael'] |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Baraka Books |
| Date of production, publication, distribution, manufacture, or copyright notice | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | p. |
| 336 ## - CONTENT TYPE | |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type code | c |
| Source | rdamdedia |
| 338 ## - CARRIER TYPE | |
| Carrier type code | c |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The Civil War divides the United States. Millions, including the president, wish to maintain monuments to generals like Robert E. Lee. Referred to as “Knights” in Gone with the Wind,” some generals earned their bona fides by murdering blacks, Mexicans, and Native Americans During the Battle of Chapultepec in 1847, Robert E. Lee fought children, Los niños heroes. Refusing to surrender, they were slaughtered. Ishmael Reed’s reach is vast and varied. His take down of the billion-dollar show Hamilton and its designer Lin-Manuel Miranda is priceless, as are his searing critiques of the ‘Black Bogeyman’ scam and the one-at-a-time tokenism of an elite who chooses winners and losers among minority artists. Reed “says what’s on his mind,” be it about Quentin Tarantino and Django, white nationalism or Donald Trump. At the same time his portraits of Amiri Baraka/LeRoy Jones and actor Oliver Clark are touching and many-layered. About Why No Confederate Statues in Mexico "Ishmael Reed is the purest literary troublemaker we currently have" – The Buffalo News About Ishmael Reed and his Work "That’s what I loved about Baldwin, something that I am inspired by about Baldwin, Amiri Baraka, Ishmael Reed, Gwendolyn Brooks—they were all darlings of the liberal establishment, and they rejected that status, which meant they were pushed to the margins.” Cornell West “Even nearer to [Colson] Whitehead’s derailment of antebellum history is Ishmael Reed’s Flight to Canada (1976).” Julian Lucas, New York Review of Books “It was a ceremonial rite of some magnitude when the great American writer, cultural theorist, and musician Ishmael Reed played a jazz composition on the piano.”—Vogue, 17 Feb. 2019, coverage of Grace Wales Bonner’s London fashion show. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | |
| 700 0# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Reed, Ishmael |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Access method | Cyberlibris |
| Uniform Resource Identifier | <a href="https://international.scholarvox.com/netsen/book/88878349">https://international.scholarvox.com/netsen/book/88878349</a> |
| Electronic format type | text/html |
| Host name | |
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