Minefields. The toponym in the haikus of the Great War (notice n° 448317)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01213cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121021415.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bossi, Magali |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Minefields. The toponym in the haikus of the Great War |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 32 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In France, the First World War was an opportunity for certain poets to experiment with a new form, recently arrived in the West: the haiku. Brief and percussive, the haiku retranscribed the fulgurating effect of this unprecedented traumatic event. After the war, the Reims poet René Druart travelled to the devastated regions of northern France. His haikus describe destroyed landscapes and lost villages. Druart drew up a precise map of the regions he visited, thanks to the massive presence of place names. How do these place names enter the haikus? What effects do they have? What impact do they have on such a brief form, where the smallest word is essential? These are some of the questions that this analysis seeks to answer. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | A contrario | o 33 | 1 | 2022-10-24 | p. 183-202 | 1660-7880 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-a-contrario-2022-1-page-183?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-a-contrario-2022-1-page-183?lang=en&redirect-ssocas=7080</a> |
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