The Filmic Sociology: Using Cinema to Write Sociology? (notice n° 451283)
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| fixed length control field | 01920cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121025316.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Durand, Jean-Pierre |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The Filmic Sociology: Using Cinema to Write Sociology? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 4 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Writing about sociology through or else with cinema is a challenge that seems easier to overcome given today’s lower cost of filming and editing videos. Above and beyond this apparent improvement, however, there are a number of old questions that the filmic sociology cannot avoid answering. A film’s images and sound, or else the way that it has been written, can both be used to apprehend the tensions that it creates between social realities – with the filmic sociology considering both to be complementary, hence a combination worthy of organising. To achieve this, sociologists-filmmakers must learn to think with the film, an ability that is very different from using video to express a sociological outcome that already exists. This is particularly true due to the fact that cameras/microphones also constitute tools of investigation. Creating a sociological documentary means learning a cinematographic language, which can be a very difficult task for sociologists, in part because of the way that sociological or ethnographic images/sounds resist the process of narration. At the same time, new tools (Multimedia, Internet) are creating new possibilities for combining filmed and written sociology. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Filmic Sociology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Concept |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Cinematographic Language |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Narration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sociological Documentary |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sebag, Joyce |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | L’Année sociologique | 65 | 1 | 2015-03-18 | p. 71-96 | 0066-2399 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-l-annee-sociologique-2015-1-page-71?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-l-annee-sociologique-2015-1-page-71?lang=en&redirect-ssocas=7080</a> |
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