Bottom-up Construction of a Mexican Native Graphic Heritage in a Transnational Situation (Mexico-USA) (notice n° 453714)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01825cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121031844.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hémond, Aline |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Bottom-up Construction of a Mexican Native Graphic Heritage in a Transnational Situation (Mexico-USA) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 70 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article focuses on how an ethnic graphic heritage is established. It is based on a study of paintings made on bark paper (amates) by Nahuatl speakers in South-west Mexico. In my Ph. D. dissertation two decades ago, I adopted an emic perspective. I now take a transnational actor-network approach to examine the interactions between native artists and art lovers, collectors, anthropologists and others. All these social categories contribute to the public recognition of these artworks as part of a cultural legacy. I pay particular attention to the role of the National Museum of Mexican Art in Chicago as an external expert conferring legitimacy on this process. This museum made it possible to reclassify in its own space of action the status of paintings and painters. It thus created a specific space for translation, allowing the participation of the Hispanic community in Chicago and reception in the social spaces characteristic of the United States’ multiculturalism. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intercultural minority heritage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | diaspora |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | patrimonialisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Nahua |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Chicago |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | amate |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Guerrero |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | United States |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Mexico |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | community’s museum |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | image |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Autrepart | o 78-79 | 2 | 2017-09-01 | p. 201-218 | 1278-3986 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-autrepart-2016-2-page-201?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-autrepart-2016-2-page-201?lang=en&redirect-ssocas=7080</a> |
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