Creation of a Roma Orchestra from a Migrant Squat and Uses of “authentic” Identity (notice n° 453730)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01697cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121031850.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Clavé-Mercier, Alexandra |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Creation of a Roma Orchestra from a Migrant Squat and Uses of “authentic” Identity |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 61 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article looks into the discourse on “authentic” identity and its underlying issues through the analysis of “Roma” music set up as a heritage object. In a French city, two civil society members set up an orchestra gathering Bulgarian Roma migrants, and the media presented the orchestra members as Roma living in squats and playing a “most authentic traditional” music. The article analyses the speeches on this initiative in connection with the ethnic “Roma” identity, and questions the motivations of the various actors involved. It also highlights the importance of the migration and socio-political contexts, especially the strongly present injunction to integrate. The article examines the effects of this cultural construction, and the changes it entailed for the members of the music group. It shows that setting up the orchestra crystallises the ambiguity between identity assignation and what actors make of it. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authentic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | strategies |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | identity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | migration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | heritage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Roma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | patrimonialisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | integration |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Autrepart | o 78-79 | 2 | 2017-09-01 | p. 39-54 | 1278-3986 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-autrepart-2016-2-page-39?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-autrepart-2016-2-page-39?lang=en&redirect-ssocas=7080</a> |
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