“Peindre la société moderne en action” (notice n° 453933)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01322cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121032233.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ménard, Guillaume |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Peindre la société moderne en action” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 74 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article examines Balzac’s thinking on art, starting with a phrase found in several of the novelist’s works from the 1840s, which synthesizes the undertaking that is La Comédie humaine: “peindre la société moderne en action.” Less dependent on the ancient and classical idea of ut pictura poesis, which makes painting, as a visible duplication of nature, the model of art, the representation of Balzac’s modern society is better understood in terms of the notion of the “tableau.” Poised between copy and invention, the Balzacian “tableau” can be read as a fundamental epistemological and aesthetic category of the novelist’s poetics. This article thus offers a unique form of poetics, quite different from those readings that only recognize in Balzac a total and general synthesis of modern society. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | L’Année balzacienne | o 24 | 1 | 2024-01-22 | p. 405-419 | 0084-6473 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-l-annee-balzacienne-2023-1-page-405?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-l-annee-balzacienne-2023-1-page-405?lang=en&redirect-ssocas=7080</a> |
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