Moving images and censorship in the United States and France from the nineteenth to the twenty-first centuries (notice n° 455331)

détails MARC
000 -LEADER
fixed length control field 01317cam a2200157 4500500
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control field 20250121033554.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Baron, Christine
Relator term author
245 00 - TITLE STATEMENT
Title Moving images and censorship in the United States and France from the nineteenth to the twenty-first centuries
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2019.<br/>
500 ## - GENERAL NOTE
General note 82
520 ## - SUMMARY, ETC.
Summary, etc. Censorship of moving images rests on criteria that are very heterogeneous, but there are some constant features in the ways they are censored. From ideas of safeguarding the trial to scandal to scholarly controversy, certain films have met with a stormy reception in France and the United States. This article examines the way censorship has been applied, concentrating on differences in the way films are received even when the subject matter is similar. It also presents how films get past the censors or get round censorship. Finally, by making a distinction between denouncer and whistleblower, this article attempts to understand the motivations of individuals and groups who, by diverse means, attempt to prevent films coming out and being shown.
786 0# - DATA SOURCE ENTRY
Note Les Cahiers de la Justice | o 1 | 1 | 2019-03-19 | p. 71-83 | 1958-3702
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-71?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-71?lang=en&redirect-ssocas=7080</a>

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