Moving images and censorship in the United States and France from the nineteenth to the twenty-first centuries (notice n° 455331)
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fixed length control field | 01317cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121033554.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Baron, Christine |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Moving images and censorship in the United States and France from the nineteenth to the twenty-first centuries |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2019.<br/> |
500 ## - GENERAL NOTE | |
General note | 82 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Censorship of moving images rests on criteria that are very heterogeneous, but there are some constant features in the ways they are censored. From ideas of safeguarding the trial to scandal to scholarly controversy, certain films have met with a stormy reception in France and the United States. This article examines the way censorship has been applied, concentrating on differences in the way films are received even when the subject matter is similar. It also presents how films get past the censors or get round censorship. Finally, by making a distinction between denouncer and whistleblower, this article attempts to understand the motivations of individuals and groups who, by diverse means, attempt to prevent films coming out and being shown. |
786 0# - DATA SOURCE ENTRY | |
Note | Les Cahiers de la Justice | o 1 | 1 | 2019-03-19 | p. 71-83 | 1958-3702 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-71?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-71?lang=en&redirect-ssocas=7080</a> |
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