Political uses and politicisation of the British mining cultures (1945 – 1960): The case of the brass bands (notice n° 456908)
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fixed length control field | 01371cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121035652.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Henry, Marion |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Political uses and politicisation of the British mining cultures (1945 – 1960): The case of the brass bands |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2019.<br/> |
500 ## - GENERAL NOTE | |
General note | 42 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Brass bands were central elements in British coal mining areas’ cultural life between 1945 and 1960 but their popularity was progressively challenged by the success of other musical styles coming from the United States. This didn’t prevent brass band music to appear as one of the most emblematic aspects of mining cultures in the second half of the 20th century. This article aims at understanding the strength of brass bands in the building of British coalfields’cultural unity in a political perspective. Drawing both on written archives and oral history, this paper shows how brass bands were used by the nationalized industry and the Communist Party of Great Britain as the symbol of an essentialized and traditional mining culture. At a local scale, the political role of brass bands was more implicit and ambiguous. |
786 0# - DATA SOURCE ENTRY | |
Note | Cahiers Jaurès | o 230 | 4 | 2019-02-26 | p. 91-107 | 1268-5399 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-cahiers-jaures-2018-4-page-91?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-cahiers-jaures-2018-4-page-91?lang=en&redirect-ssocas=7080</a> |
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