Freud’s “Da Vinci Code”: Crime and Interpretation (notice n° 458155)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01726cam a2200241 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121041030.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rabaté, Jean-Michel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Freud’s “Da Vinci Code”: Crime and Interpretation |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2009.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 83 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper argues that Freud saw a link between psychoanalytic interpretation and crime, or at least thought that interpretation had to be as radical as possible and entail the possibility of criminal transgression. This thesis, exposed to Pfister, underpins his famous interpretation of Michelangelo’s Moses, and has consequences for his psychobiography of Leonardo da Vinci. It was inevitable that Pfister should then follow his master and see a vulture in Leonardo’s Saint Anne painting where there is none. Such a hermeneutic drift will be contextualized theoretically through Walter Benjamin’s analysis of artworks, based on a dialectic of aura and traces. We look for clues to find a narrative that makes auratic work more accessible, which is why Freud may seem close to contemporary crime authors like Dan Brown. However, Freud’s “Da Vinci code” has a major difference: psychoanalytic efforts at interpretation do not aim to make us more obtuse, but more actively aware of our own sexualized genesis. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | traces |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | criminality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aura |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sculpture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transgression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | interpretation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cliniques méditerranéennes | o 80 | 2 | 2009-12-28 | p. 111-126 | 0762-7491 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-cliniques-mediterraneennes-2009-2-page-111?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-cliniques-mediterraneennes-2009-2-page-111?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux