Reproduction and historical flexibility of the aura: Walter Benjamin meets Radiohead (notice n° 459687)
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| fixed length control field | 01846cam a2200277 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121042406.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hörner, Fernand |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Reproduction and historical flexibility of the aura: Walter Benjamin meets Radiohead |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 29 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article analyzes the role played by music and its relationship to the concept of aura, developed by Walter Benjamin in his famous essay The Work of Art in The Age of Mechanical Reproduction (1936). Although Benjamin primarily takes his examples from the fields of photography and cinema, music plays a subliminal, but essential role in his approach to mechanical reproduction. Historicization of the musical object is therefore required, as the contradictory relationship between reproduction and aura is shifting. What is the role of aura, if music is taken out of the context of a concert and “produced” (and not reproduced) on vinyl, CD or MP3? Reproduced art also claims auratic status. In the field of recorded music, the strategies of the group Radiohead highlight this phenomenon of re-auratization, by selling vinyl, performing concerts, selling CDs and even by allowing a whole album to be downloaded for free. This article offers a detailed analysis of the paradoxes of this flexible aura. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Exhibition Value |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Popular Music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Theodor W. Adorno |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Aura |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Originality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Cult Value |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Reproduction |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Walter Benjamin |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Cultural Critique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Authenticity |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | o 184 | 2 | 2015-06-01 | p. 61-77 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-communication-et-langages1-2015-2-page-61?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-communication-et-langages1-2015-2-page-61?lang=en&redirect-ssocas=7080</a> |
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