The savage as allied fighter: The sung diptych of Father Baron at Fort Duquesne, July 13th 1755 (notice n° 462788)

détails MARC
000 -LEADER
fixed length control field 01433cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121045843.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Doutrelepont, Charles
Relator term author
245 00 - TITLE STATEMENT
Title The savage as allied fighter: The sung diptych of Father Baron at Fort Duquesne, July 13th 1755
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2020.<br/>
500 ## - GENERAL NOTE
General note 68
520 ## - SUMMARY, ETC.
Summary, etc. On July 13th 1755, at Fort Duquesne, the traces of which remain at Pittsburgh (Pennsylvania), two pieces of verse saw the light of day: a canticle addressed to the Virgin Mary and a ferocious “turlute”. Written up by the local chaplain to celebrate the imposing defeat the British had just suffered in the area, these poetics were sung in situ prior to their larger diffusion throughout Nouvelle-France. In so doing, a rare figure was circulated, that of the indigenous person as a fighting ally, represented on the one hand as the auxiliary of the mother of Christ and, on the other, as the scalper of heretics. This article presents this diptych in both its pastoral and its propagandist features; at the crossroads of historical incident and song, this double portrait weaves together the study of artistic forms and cultural history, including that of the violence of warfare.
786 0# - DATA SOURCE ENTRY
Note Dix-huitième siècle | o 52 | 1 | 2020-10-01 | p. 153-173 | 0070-6760
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-dix-huitieme-siecle-2020-1-page-153?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-huitieme-siecle-2020-1-page-153?lang=en&redirect-ssocas=7080</a>

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