Brassens and Lacan (notice n° 479625)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01111cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121070006.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cambon, Fernand |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Brassens and Lacan |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 56 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | On September 8th, 2011, I was at the Tschann bookshop in Paris for the presentation of the 26th issue of the review Essaim. I had contributed an article to this issue entitled “To be heard” (“Se faire entendre”). The end of the debate focused on the recurrent difficulty of making room for music and song in the practice and theory of psychoanalysis. The following night I had a dream which seemed to “enact” an answer to this matter. It could also be interpreted as an enjoyable way to substitute the character of Georges Brassens with Lacan. I have since realized that the 30th anniversary of both their deaths was jointly celebrated this autumn. Surprising ! |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Essaim | o 28 | 1 | 2012-05-01 | p. 193-196 | 1287-258X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-essaim-2012-1-page-193?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-essaim-2012-1-page-193?lang=en&redirect-ssocas=7080</a> |
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