“A Chalice Empty of Wine”: Sacramental Imagination in British Literature at the End of the 19th Century (notice n° 480406)

détails MARC
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005 - DATE AND TIME OF LATEST TRANSACTION
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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Murray-Masurel, Claire
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245 00 - TITLE STATEMENT
Title “A Chalice Empty of Wine”: Sacramental Imagination in British Literature at the End of the 19th Century
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2009.<br/>
500 ## - GENERAL NOTE
General note 41
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Summary, etc. At the end of the Victorian era, Catholicism became an object of fascination in English literary circles, and many Decadent writers drew on the Roman faith for images. They were particularly receptive to the importance of signs and symbols in the sacraments of the Catholic Church. Their interest in the aesthetic dimension of the liturgy can be traced back to Pater’s vision of religion and of Christian rituals. In fin de siècle literature, the sacrament is emptied of its sacred dimension, and the liturgical symbol loses its deictic function: it does not point any longer to something beyond itself, but becomes self-sufficient and is considered first and foremost for its aesthetic qualities. The Eucharistic mysteries, in particular, become the central elements in a religion devoid of transcendence, and a source of poetic images dissociated from any theological meaning.
786 0# - DATA SOURCE ENTRY
Note Études anglaises | 62 | 1 | 2009-06-01 | p. 56-72 | 0014-195X
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-etudes-anglaises-2009-1-page-56?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2009-1-page-56?lang=en&redirect-ssocas=7080</a>

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