Glossing Ben Marcus's Notable American Women (notice n° 480707)

détails MARC
000 -LEADER
fixed length control field 01450cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121070320.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Vanderhaeghe, Stéphane
Relator term author
245 00 - TITLE STATEMENT
Title Glossing Ben Marcus's Notable American Women
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2010.<br/>
500 ## - GENERAL NOTE
General note 87
520 ## - SUMMARY, ETC.
Summary, etc. What can one say in general of a text by Ben Marcus which would not already be somehow compromised by the radicalism of the writing? What can one say in particular of Notable American Women which would not already be disclaimed or “un-said” by the fiction of its very language? A fiction that makes this self-referential piece of writing—self-referential in a sense that would have to be redefined, along with the very notion of “sense” itself—hover above emptiness and verge on silence. Yet precisely, can one set limits to silence and emptiness, can one keep them at bay? Or rather, does this absence not keep any critical contribution at a distance? What form then can one bestow on the silence and vacancy that permeate the text if not that of superfluity, until both fiction and criticism converge in a same refusal, authoritarian as it may appear, of authority itself, i.e., the authority of their own presuppositions and their very language?
786 0# - DATA SOURCE ENTRY
Note Études anglaises | 63 | 2 | 2010-08-01 | p. 134-149 | 0014-195X
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-etudes-anglaises-2010-2-page-134?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2010-2-page-134?lang=en&redirect-ssocas=7080</a>

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