Yeats and Gender Mixing: From the Text to the Stage (notice n° 481079)

détails MARC
000 -LEADER
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121070442.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Longuenesse, Pierre
Relator term author
245 00 - TITLE STATEMENT
Title Yeats and Gender Mixing: From the Text to the Stage
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2015.<br/>
500 ## - GENERAL NOTE
General note 73
520 ## - SUMMARY, ETC.
Summary, etc. In the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power to create visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an “acteur-poète”. This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between opposite mediums : theatre on the one hand, singing, dance, tale on the other hand. . . This exploration involves Yeats in original collaborations on stage with composers, musicians, and dancers. In short, these manifestations of an artistic “hors-champ,” far from threatening the drama, become on the contrary the core of its expression, as a new power is, on stage, devoted to the Verb : the extra-ordinary power to arise the pneuma of singing as well as the rhythm of the dancing body.
786 0# - DATA SOURCE ENTRY
Note Études anglaises | 68 | 1 | 2015-07-08 | p. 56-69 | 0014-195X
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-etudes-anglaises-2015-1-page-56?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2015-1-page-56?lang=en&redirect-ssocas=7080</a>

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