Whither Postmodernism? Four Tentative Neo-Victorian Answers (notice n° 481091)
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| fixed length control field | 01382cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121070443.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gutleben, Christian |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Whither Postmodernism? Four Tentative Neo-Victorian Answers |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 85 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper sets out to examine in what ways recent neo-Victorian fiction illustrates twenty-first-century fiction’s quest for new novelistic possibilities. On the basis of David Mitchell’s Cloud Atlas (2004), Andrea Levy’s The Long Song (2010), Michel Faber’s The Crimson Petal and the White (2002) and Rosie Garland’s The Palace of Curiosities (2013), it will be argued that neo-Victorianism broadens the scope of postmodernism by conceiving a cosmopoetics in which a referential and an aesthetic globalisation are combined, by imagining alternative forms of fictional historiography, by challenging various forms of orthodoxy and by questioning the limits of the human. Although it suggests evolutions and variations in relation to late twentieth-century historiographic metafiction, the novel of the new millennium nevertheless cannot be said to forsake postmodernism. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études anglaises | 68 | 2 | 2015-07-08 | p. 224-236 | 0014-195X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2015-2-page-224?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2015-2-page-224?lang=en&redirect-ssocas=7080</a> |
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