Christ, the Pieta, and The Last Supper on Display: Deviations and Transgressions of Advertising and Film (notice n° 481162)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01811cam a2200217 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121070456.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Saint-Martin, Isabelle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Christ, the Pieta, and The Last Supper on Display: Deviations and Transgressions of Advertising and Film |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2006.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 56 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Besides mildly amusing religious subjects used in advertising the exploitation of Christian themes in advertising posters has been the object of acrimonious debates and sometimes judicial actions in the past twenty years. Censorship is examined here from two angles : in terms of the expression of a tolerance threshold on the one hand, and of a power struggle on the other hand. Who censors, on what grounds ? What kind of balance is struck between power groups within catholicism ? This debate highlights the fact that a number of related pictures cross famous artistic references whose influence still impregnates photography today. In the analysis of the iconic stakes it is essential to take art into consideration, both as a means to place the referential framework of a visual culture and as a prism through which many of the tensions observed here can already be discerned. Religious allusion makes the viewer react by playing on two levels : the shock of provocation and the feeling of « déjà vu », which ensures its increased efficiency in a universe already saturated with visual messages. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema poster |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Christian iconography |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | advertising |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | censorship |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transgression |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Ethnologie française | 36 | 1 | 2006-03-01 | p. 65-81 | 0046-2616 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-ethnologie-francaise-2006-1-page-65?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-ethnologie-francaise-2006-1-page-65?lang=en&redirect-ssocas=7080</a> |
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