“Such a mistake as I have often seen / In a play”: The Duchess of Malfi, a Tragedy of Errors (notice n° 481374)
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| fixed length control field | 01229cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121070532.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sukic, Christine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Such a mistake as I have often seen / In a play”: The Duchess of Malfi, a Tragedy of Errors |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 72 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Many critics have pointed out John Webster’s ambiguities in The Duchess of Malfi: while the Duchess’s brothers condemn her for having married Antonio, she also appears as a model of Stoic virtue in the sufferings that are imposed on her; as for Bosola, he appears from the first as a humoral anomaly, and is both murderer and avenger, turning out to be a complete failure in this last task, and admitting to having killed Antonio “unwittingly.” Errors, in the play, are envisaged from a moral perspective and inform Webster’s depiction of a corrupt society, but more importantly, they are part of the play’s aesthetics, where “fault and beauty” are “blended together” (3.3). |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études anglaises | 71 | 3 | 2018-12-05 | p. 293-308 | 0014-195X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2018-3-page-293?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2018-3-page-293?lang=en&redirect-ssocas=7080</a> |
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