The Paris Opera Ballet Dancing Offstage (notice n° 488007)

détails MARC
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Language code of text/sound track or separate title fre
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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Nunn, Tessa Ashlin
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245 00 - TITLE STATEMENT
Title The Paris Opera Ballet Dancing Offstage
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2022.<br/>
500 ## - GENERAL NOTE
General note 3
520 ## - SUMMARY, ETC.
Summary, etc. The spaces in which amateur and professional dancers practiced their art greatly changed during the Covid-19 pandemic due to the closures of theaters and dance studios, yet dance continued to bring people together online. This article studies the media presence of the Paris Opera Ballet (POB) between March 2020 and May 2021 to analyze how the aesthetic and moral concept of grace has evolved. During this difficult year, dance took on a therapeutic role as POB dancers offered free online classes and performed in video work, in addition to taking on a political role as discussions about racism in ballet sparked public debates.
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Topical term or geographic name as entry element art institutions
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Topical term or geographic name as entry element ballet
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Topical term or geographic name as entry element race
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Topical term or geographic name as entry element grace
786 0# - DATA SOURCE ENTRY
Note French Politics, Culture & Society | 40 | 2 | 2022-08-22 | p. 90-115 | 1537-6370
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-french-politics-culture-and-society-2022-2-page-90?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-french-politics-culture-and-society-2022-2-page-90?lang=en&redirect-ssocas=7080</a>

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