Spatial art engineering? (notice n° 490394)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01870cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121074310.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Donguy, Léa |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Spatial art engineering? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 27 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the sphere of contemporary commissioned art, created for urban or territorial projects, artists and sponsors change their respective ways of working as they come into contact with each other. We regard this as a “co-normalization” process that is supported by specific stakeholders and hybrid intermediaries. The latter group aims to change how artists and territorial sponsors work so as to alter how we experience, conceive of, and produce spaces to thus ensure the “aesthetic aspect of inhabiting” (Lazzarotti, Mercier, and Paquet 2016). Altering ways of working to improve effectiveness represents a newly engineered form of art. To understand the significance of these intermediaries, we will be studying a specific organization, namely the urban cultural institution ESOPA, looking in detail at its “glossary of cultural urbanism.” ESOPA strives to put a shared lexicon into action, going further than merely generating discourse. The goal is not only to showcase the creation of art, but to adapt the context in which it is created, making for an environment more conducive to an artistic form still in the periphery: spatial art. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cultural territorial development |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hybrid intermediary |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spatial art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | esthetization of territorial policies |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | commissioned art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | participation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Géographie, économie, société | 22 | 3 | 2021-03-10 | p. 477-495 | 1295-926x |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-geographie-economie-societe-2020-3-page-477?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-geographie-economie-societe-2020-3-page-477?lang=en&redirect-ssocas=7080</a> |
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