Contemporary forms of censorship (notice n° 494246)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01110cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121075902.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Amadieu, Jean-Baptiste |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Contemporary forms of censorship |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 53 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | New forms of censorship in art are characterized by several features. First, by the fact that censors are no longer institutions like the State or the Church, but associations (feminist, LGBTQI+, antispeciesist, decolonial, etc.), which may be groups or even more or less ephemeral small groupings. Finally, the site of censorship is no longer the court, but the media; social networks (Facebook and others), websites, and newspapers exert strong pressure ranging from intimidation to lynching. The blurred, half-legal, half-social zone where these new forms of censorship are exercised raises many questions. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Talon-Hugon, Carole |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études | May | 5 | 2020-05-12 | p. 91-102 | 0014-1941 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-2020-5-page-91?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-2020-5-page-91?lang=en&redirect-ssocas=7080</a> |
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