Contemporary Art, the Internet and Museums (notice n° 497671)

détails MARC
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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Bernier, Christine
Relator term author
245 00 - TITLE STATEMENT
Title Contemporary Art, the Internet and Museums
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2011.<br/>
500 ## - GENERAL NOTE
General note 89
520 ## - SUMMARY, ETC.
Summary, etc. This article explores the use made in certain museums of the very latest advances in communication and technology. Drawing on primarily North-American theories and examples, we examine the presentation of a particular work of contemporary art, Chris Ofili’s No Woman, No Cry, selected by Tate Britain from the Google Art Project. Our study of this recent case shows how museums apply the same principles of practice on the web as those they have applied for years in their exhibitions and their messages to the public.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element museography
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Google Art Project
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Tate Britain
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Chris Ofili
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Topical term or geographic name as entry element museums
786 0# - DATA SOURCE ENTRY
Note Hermès, La Revue | o 61 | 3 | 2011-12-01 | p. 84-89 | 0767-9513
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-hermes-la-revue-2011-3-page-84?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-hermes-la-revue-2011-3-page-84?lang=en&redirect-ssocas=7080</a>

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