Art as an Enabler of “Knowledge of the Third Kind” (notice n° 498217)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01853cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121081505.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Simms, Ian |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Art as an Enabler of “Knowledge of the Third Kind” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 65 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Deactivating the aesthetic function of art can open it up to other functions. In this article, we explore the epistemic function of art and how art can enable the emergence of what we refer to as “knowledge of the third kind.” Starting from the principle that any work of art encapsulates its own theorization in action, we analyze the Artavazd Peleshian’s film Nous and Harun Farocki’s video installation entitled Schnittstelle as examples illustrating our premise. Resonating with the “third estate” defined by Abbé Sieyès and the “third landscape” of Gilles Clément, the concept of “knowledge of the third kind” outlines a potential epistemic space that resists both the academization of established knowledge and the instrumentalization inherent in knowledge produced by cognitive capitalism, a space which is heterogeneous and liminal and which perpetually reinvents its own knowledge economy, along with its own theoretical tools, forms of production and means of achieving visibility. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | “knowledge of the third type” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | distance montage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | immanence |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | absent image |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | soft editing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | parergon |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | knowability |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schnittstelle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Artavazd Peleshian |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Harun Farocki |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | epistemic function |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | o 72 | 2 | 2015-10-21 | p. 150-156 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-hermes-la-revue-2015-2-page-150?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-hermes-la-revue-2015-2-page-150?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux