The globalization of popular music as viewed through the lens of the scene and of interculturality (notice n° 499530)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01152cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121082016.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kaiser, Marc |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The globalization of popular music as viewed through the lens of the scene and of interculturality |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 23 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In order to conceive of globalized popular music as one of the possible ways through which the intercultural is realized, this article draws on two concepts that are not usually associated with one another. The first is that of the “scene” as this term is used in music; this provides a way to approach popular music by relating, in a single analytic movement, globalized music genres and their local appropriations. The second, “interculturality,” allows for a conceptualization of how distinct symbolic universes encounter each other through intercultural communication, especially in relation to the media. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | o 86 | 1 | 2020-07-21 | p. 261-266 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-hermes-la-revue-2020-1-page-261?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-hermes-la-revue-2020-1-page-261?lang=en&redirect-ssocas=7080</a> |
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