The pleasure of the eye (notice n° 501918)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01127cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121082909.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Andruétan, Yann |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The pleasure of the eye |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 84 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The cinema of war exercises a strange fascination on audiences. It even constitutes a form of guilty pleasure. Images of war have the power to captivate the human mind. The spectacle of violence, when accompanied by dramatic images and evocative music, durably captures the mind, conveys intense emotions and procures a form of satisfaction. This fascination includes a degree of ambiguity, because while it captivates the spectator it also provokes conflicting feelings—either of revulsion or, on the contrary, of numbing to violent images. It takes a talented film-maker to know how to use the imagery of war without pandering to the easy sensationalism of war as spectacle. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Inflexions | o 42 | 3 | 2019-08-29 | p. 49-57 | 1772-3760 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-inflexions-2019-3-page-49?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-inflexions-2019-3-page-49?lang=en&redirect-ssocas=7080</a> |
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